![]() ![]() The success of Control, according to Ripani, bridged the gap between R&B and rap music. The new jack swing sound is particularly evident in the second single, " Nasty". Ripani PhD, author of The New Blue Music: Changes in Rhythm & Blues, 1950–1999 (2006), observed that the album was one of the first successful records to influence the rise of new jack swing by creating a fusion of R&B, rap, funk, disco and synthesized percussion. After that, Jam & Lewis produced Janet Jackson's digital R&B album, Control (1986). Some music critics said Full Force's "Alice, I Want You Just for Me" (1985) was the first new jack swing song, and Jimmy Jam and Terry Lewis called Full Force and said Alice was their favorite song, and their favorite group was Full Force. Riley as well as drummer Lenny White credit the start of new jack swing to English singer-songwriter and producer Junior Giscombe and his 1985 single "Oh Louise". ![]() Kyle West remembered 1985 as the year he listened to new jack swing with Teddy Riley. History Janet Jackson's Control, released in 1986, was one of the most critically acclaimed albums of the 1980s. New jack swing took up the trend of using sampled beats and tunes, and created beats using electronic drum machines such as the SP-1200 sampler and Roland TR-808 to lay an "insistent beat under light melody lines and clearly enunciated vocals." The Roland TR-808 was sampled to create distinctive, syncopated, swung rhythms, with its snare sound being especially prominent. Merriam-Webster's online dictionary defines new jack swing as "pop music usually performed by black musicians that combines elements of jazz, funk, rap, and rhythm and blues." Digital synthesizers were heavily used, notably the Yamaha DX7, Korg M1 and Roland D-50. Spearheaded by producers Teddy Riley, Bernard Belle, Jimmy Jam and Terry Lewis, new jack swing was most popular from the late 1980s to early 1990s. Suggest a correction in the comments below.New jack swing, new jack, or swingbeat is a fusion genre of the rhythms and production techniques of hip hop and dance-pop, and the urban contemporary sound of R&B. The song's overall message is an expression of self-confidence and authority, with Trapson showcasing his musical prowess, street credibility, and status as the new "King."Ĭontributed by Anthony N. The second verse touches more on the controversies surrounding Jackson's life, referencing the Conrad Murray trial and Gavin Arvizo's accusations. Michael Trapson then goes on to describe his rebellious persona, how he turns up the beat, swag, and heat, and how he has left a woman on the curb. He shouts out his love for money, women, and attention, and brags about driving a drop-top car with a gun in the glove compartment. In the first verse, the artist boasts about his status and wealth, referencing the infamous Neverland Ranch that belonged to Michael Jackson. The opening lines, "You don't want no smoke" sets the tone for the song and appears to be a message to anyone who would try to challenge Michael Trapson's status as the "King." Throughout the song, the artist highlights his success and fame while playfully referencing some of the controversies surrounding Jackson's life. The song "Neverland Dungeon" by Michael Trapson features a mix of rap and pop with lyrics that pay homage to the late Pop King, Michael Jackson. I look at that chick like she weird (ooow!) With the draco and go brrrrrrot-thot-thot! With my goons and we swinging like Tarzan ![]()
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